“Blues is to jazz what yeast is to bread–without it, it’s flat.” ~ Carmen McRae
The masterfully versatile and creative late guitarist
Jeff Golub followed that opinion, continually allowing his diverse influences
(blues, rock, & soul/R&B) to surface on his contemporary jazz musical
excursions. When Golub was faced with the quandary of how to follow up on his
commercially successful solo release Grand Central, the crafty
guitarist/composer’s answer was to dig deep and fully unearth his blues roots.
The resulting release in 2009, Blues For You, found
Golub skillfully bending the guitar strings, with plenty of his signature
vibrato and flair on eleven exceptional blues ventures that allowed his guitar
to cry and sing. To the mix Golub enlisted a few talented vocalist friends to
allot the project further zeal and gusto. The attained end result proved to be
an exceedingly pleasing cross section of different blues styles and tempos that
is a bona fide delight and essential recording.
On the opening track, Golub trades tasty guitar lead
licks with Chris Palmaro’s robust Hammond B-3 organ on the funk/blues shuffle
appropriately entitled “Shuffleboard.” Palmaro also shares credit
with Jeff as co-writer of this dynamite lead-off song. The rhythm section of
bassist Tony Garnier and drummer Shawn Pelton are skillful and assist expertly
for the entire duration of Blues For You.
The legendary J. Geils Band lead vocalist Peter Wolf
knows how to get a party started and his whoop-it-up vocals vie for attention
with Jeff’s combustible blues/rock guitar on “Rooster Blues.” On this
classic song made famous by Lightnin’ Slim, when Wolf sings with pure
conviction, “we’re gonna’ rock all night” you better believe it.
Exalted guest tenor saxophonist Kirk Whalum provides
a sharp and sassy counterpoint on “Goin’ On,” a song that is slightly
reminiscent of “Good Mornin’ Little Schoolgirl.” Having paired with
Golub on tour with Guitars and Saxes, the two contemporary jazz royalty
stalwarts shared a chemistry that was stimulatingly arousing. The rat-a-tat
drumming of Shawn Pelton complements this savory blues stew. Whalum hails from
the city of Memphis and that city’s soul/blues/rock pedigree is saluted magnificently
on this song. Sounding both retro and still contemporary at the same time,
“Goin’ On” is pure smoldering joy.
Golub joined up with his former boss (early 1980’s)
and rock and roll singer/guitarist Billy Squire on a revision of one of
Squire’s biggest hits “Everybody Wants You.” This time song is much
looser with Squire’s vocals earthily raw. The pair trade raucous bluesy guitar
licks back and forth with the sensation that they are also passing a whiskey
bottle at the same time. The guitar blows are razor sharp, with the duo’s
shared familiarity breeding an easy intimacy that permits the song to flow
comfortably without restraint.
“The Blink Of An Eye” is a prime example
of Golub’s string bending prowess. Jeff supplies a slow and steamy blues number
that reminds me of the sort of impassioned song that Roy Buchanan built his
well-deserved reputation from. Golub’s guitar literally sings the gorgeous
melody, providing simmering sustained notes and searing feedback in tandem with
the Hammond B-3 underpinning laid down by Kenny White. Emotionally draining and
soul touching music, it’s an instant classic. And, like most of life’s
treasured moments, it seems to be here and gone in the blink of an eye.
A classic written by the legendary Mississippi Delta
“Jazz Sage” Mose Allison is adroitly covered by Golub and his
cohorts. The tune is Allison’s immortal “I Don’t Worry About A
Thing,” which is perhaps most famous for playing during the opening
credits of the movie The Whole Nine Yards. This rendition contains
a wry rasping and fully relaxed vocal by Marc Cohn. Kenny White again shines on
the keys while the sublime Golub channels the old-time blues guitar greats to
carve out a truly timeless performance.
The Nick Lane arranged horn treatment on “Nikki’s
Walk” is sweet as candy and suggestive of the great soul/blues songs
coming from Stax and Muscle Shoals back in the day. All throughout Blues
For You, the horns (Nick Lane – trombone, Rick Braun – trumpet and
Dave Woodford – sax) flesh out the songs with simple, yet elegantly radiant
brass arrangements that ooze warmth and light. Jeff Golub’s history of having
recorded memorable music with all three of these richly gifted artists produces
a seamless schematic for precise teamwork. Golub offers up brief tense stinging
guitar stabs and flashes of King-like guitar brilliance (pick one; he
simultaneously resembles Albert, B.B. or Freddie King). Or perhaps, his guitar
play here is closer to Buddy Guy. Regardless, it’s a pleasure to hear, as are
the propulsive bass lines provided by Tony Garnier.
Dr. John’s gumbo vibe is playfully present on
“Lost Mind,” thanks to John Waite’s authoritative vocals and Kenny
White’s splendid Louisiana swamp blues piano style. Jeff Golub punctuates the
song with incisive blues runs as Waite compellingly sings “If you could be
so kind, to help me find my mind, I’d like to thank you in advance. Know this
before you start, my soul’s been torn apart, I lost my mind in a wild
“Gone Fishin’,” the cleverly titled
Golub/Palmaro instrumental, has a laid-back vibe with a sunshiny, full of
southern soul, warm feel. You can easily imagine Jeff broadly smiling while he
plays the shimmering guitar with unhurried eloquence. The guitar showcase tune
“I’ll Play The Blues For You,” has a “Born Under A Bad
Sign” meets “Thrill Is Gone” swagger that is deftly embraced by
Golub. His straight from the heart approach to guitar play displays his earnest
love for the blues. He absolutely mastered the art of applying tension and
release to great advantage. The musicianship of all involved is sharply focused
and super strong as they follow Jeff’s incredible example.
During his stellar recording career, Jeff Golub consistently delivered quality music that is, first and foremost, entertaining. Blues For You definitely fits that description. The musical sincerity and wall-to-wall luster of Blues For You is flawlessly presented by a guitarist with precious few peers. If guitar driven blues is your cup of tea, I’d highly recommend crawling through broken glass to get your hands on a copy of this release.
Randall Parrish is a Senior Editor at Vivascene, with extensive publishing credits at various jazz and blues sites. He is also an avid guitar player whose musical knowledge of jazz, blues and roots music is widely respected. He can be reached by email here: RandallParrish@vivascene.com