Wanda Jackson was the female version of Elvis Presley; that only worked against her in the early days of rock and roll.
In 2009 Wanda Jackson was inducted into the Rock and Roll Hall of Fame as an Early Influence. She‘s far more than an influence, though: along with the little-known sensation Janis Martin, Wanda Jackson was the female version of Elvis Presley in the mid and late fifties, and had the public and the record industry been ready to acknowledge her true talent, Wanda would have been as big a star as Patsy Cline or Brenda Lee. She was just too damned sexy for her own good, and that worked against her.
She had a deep growl in her voice that was either too erotic or too unfeminine for audiences of the time. She wore tight dresses that showed off her bare arms and beautiful shoulders. The Grand Ole Opry in 1955 was conservative beyond belief and told her to cover up. She did so but never played the Opry again. Sex appeal was strictly verboten, as was the idea of a female singing rock and roll, and Wanda was a very determined young woman who saw nothing wrong with bringing a little sexiness to the stage. Elvis encouraged her, even to the point of spending time with her listening to his wide collection of blues music. She recorded such numbers as ‘Mean Mean Man’ which she wrote herself, and ‘Long Tall Sally’, as well as a brilliant version of ‘Hard Headed Woman’. As a result, country music fans found her too raunchy. She enjoyed mild success with the well-known single ‘Let‘s Have A Party’ in 1960. Quite often on tour she was the sole female performer on the otherwise all-male packages touring around the country.
Over the past decade Wanda has finally been awarded the attention she deserves. She set the stage for such ground-breaking acts as Dolly Parton, and I‘d go so far to say her influence extended as far as Ann and Nancy Wilson of Heart. You see, Wanda is strong, sexy, and confident. There‘s a wonderful collection of her early rock work on an Ace compilation from a few years ago entitled ‘Queen of Rockabilly’. You‘ll find her voice an acquired taste, so don‘t expect to love all of her stuff on first listening. It‘s worth the effort, though, particularly if you know some of these songs by other artists, as you probably will.
A few standout tracks: – ‘I Gotta Know’, ‘Hard Headed Woman’ and ‘My Baby Left Me’ – the first a stop and start country number that is smokin‘ sultry beyond belief, while the other two are up-tempo numbers Elvis recorded around the same time. Wanda more than does them justice. ‘Brown Eyed Handsome Man’ strongly brings to mind the voice of Bobby Gentry. ‘You Don‘t Know Baby’ is a torched, scorched blues complemented by some outstanding guitar work that went nowhere but should have blown the top off the charts back in the early 1960s. If you are not familiar with her work, start with this tune; it is unforgettable in its slow and sweet intensity.
None other than Bob Dylan pronounced Wanda Jackson to be “a firecracker” in his Artist‘s Choice album.
Wanda later turned to alcohol and straight country music, no doubt frustrated by the lack of acceptance of her talent for rock and roll. She conquered her addiction to liquor, but fortunately her taste for rock music was revived. When the rockabilly craze hit Europe in the early 1980s her career was resuscitated. She continues to perform today to wide acclaim. I can‘t think of another recording artist from the mid-fifties who can say as much.
Brian Miller is the Publisher and co-Editor of Vivascene. A former record store owner and business writer, his interests range from vinyl records and high-end audio to design, photography, and succinct writing. Email: firstname.lastname@example.org