Miles Davis Quintet ‘Miles Smiles’ Album Review
This classic jazz album from 1966 was immensely exciting after bebop, and even seems to be a fresher, freer, and logical extension of it.
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This classic jazz album from 1966 was immensely exciting after bebop, and even seems to be a fresher, freer, and logical extension of it.
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Pêche à La Mouche features an impossibly gifted technical player playing his most mature music.
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The interaction of melody and rhythmic fire creates an irresistible pull, even though Coltrane and company scatter the melody.
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Toronto journalist and musician Jeff Halperin offers his take on the sublime and graceful command of the blues guitar legend.
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